FALL 2024 FINE ART AUCTION

Titled "Rock Study, Espanola", signed lower right, signed verso and dated 1962, oil on board, 30.5 x 38.1cm (12 x 15in); Provenance: Roberts Gallery, Toronto; Victoria Art Gallery, Toronto (1988 re

Original antique woodblock print in colours, "Rapids (Keiryu)", signed and titled to the lower margin, also signed and with the artist's two red seals lower left and imprinted script to the left ma

Titled "The Lookout Rock, Algoma", signed lower left, acrylic on artist board, 63.8 x 78.7cm (25 1/8 x 31in); Provenance: East Queen Gallery, Toronto, original price $6500.00; artist's stamp verso;

Titled "Cliff Hanger - Bobcat", signed lower right and dated (19)87, oil on canvas, 91.4cm x 1.22m (36 x 48in); housed in a costly custom frame, outside dimensions 1.17 x 1.47m (46 x 58in); Provena

Titled "Night Moves - African Elephants", signed lower right and dated (19)88, oil on canvas, 54.6 x 67.3cm (21 1/2 x 26 1/2in); housed in a costly custom frame and framed to match the preceding lo

"Untitled: English Rural Landscape with Figures and a Thatched Roof Cottage", signed lower right, oil on canvas, 24.8 x 40cm (9 3/4 x 15 3/4in) - Henry John Yeend King, British, 1855-1924

Titled "Eclipse", no signature evident, oil on canvas circa 1980-1990, 40.6 x 50.8cm (16 x 20in); titled on the engraved nameplate; Provenance: private collection, Fonthill, Ontario; Conr

Titled verso "Old Polish Farm, Purdy Lake, Combermere", signed lower left, dated 1968 verso, oil on board, 30.5 x 38.1cm (12 x 15in); Provenance: from a physician's private collection, Ontario; Joa

A large scale oil on canvas measuring 1.2 x 1.4m (47 1/4 x 55 1/4in), signed indistinctly lower left and dated 1912; the artist depicts an eerie street scene at dusk, with a moonlit tree's shadow r

"Untitled: Multi-Colour Scene with Wolf, Fish and Igloo", signed upper right, acrylic on canvas, 58.4 x 38.1cm (23 x 15in); the canvas is mounted to a wood stretcher but unframed; Provena

Titled verso "Garden Facade", signed lower right and verso, oil on masonite board, 60.3 x 81.3cm (23 3/4 x 32in); Provenance: Harris Galleries Inc., London; Brian Jones was a Canadian art

"The 4th Level: Accidia (La quatrieme corniche: Accidia; 1951-64)", from Dali's "Divine Comedy - Purgatory 18", pencil signed lower left, engraving print in colours, sight

"Untitled: Abstract", signed lower left, oil on canvas, 35.6 x 50.8cm (14 x 20in); Provenance: Martha Jackson Gallery, New York, NY; present private collection, London; Walter Gaudnek, Cz

"Untitled: Seascape View at Sunset", signed lower left, watercolour on paper, sight 27.9 x 45.7cm (11 x 18in); Charles E.

Titled "Albert", pencil signed and dated 1988 to the lower margin, Lithograph in colors/wove paper editioned 35/100, image size 50.8 x 40.6cm (20 x 16in); Joseph Fafard, Canadian, 1942-20

Titled "On the Grass", signed, titled and dated 1992 to the lower margin, mixed media on paper, 22.5 x 33cm (8 7/8 x 13in); Provenance: Edward Day Gallery, Kingston, original price $480.0

Titled to the frame "The Haunted House", signed with initials lower left, oil on canvas, 40.6 s 30.5cm (16 x 12in); housed in an exquisite antique gilt frame, outside dimensions 67.3 x 57.2cm (26 1

Titled "Woman and Bird with Berries", signed, titled and dated 1974 to the lower margin, also signed in syllabics and with stamp upper right, stone cut print on paper editioned 10/50, sig

A pair of original oil paintings on board depicting colourful scenes, signed lower left, one dated (19)86, each measure 40 x 50.2cm (15 3/4 x 19 3/4in); unframed; Roman Lopez, 20th century Mexican

"Untitled: Rural Landscape on a Cloudy Day with Farmers Ploughing", no signature evident, oil on canvas, 50.8 x 80cm (20 x 31 1/2in); housed in a custom antique frame, outside dimensions

Titled "Port of Algiers, North of Africa", signed lower left, dated 1928 verso, oil on panel, 30.5 x 40.6cm (12 x 16in); Edward Randolph Glen, Canadian, 1887-1963

Titled "Strange World", pencil signed to the lower right margin and dated 1986, woodcut print on paper editioned 50/60, image size 34.9 x 45.1cm (13 3/4 x 17 3/4in); Jiang Bibo, Chinese,

Titled verso "Mid-Winter, Near Georgian Bay", signed lower right, oil on panel, 25.4 x 30.5cm (10 x 12in) - Ray A. Storberg, Canadian, 1908-1971

Titled verso "River of No Return, Yellowstone River at Yellowstone National Park, Wyoming", signed lower right and dated 2001, oil on canvas, 61 x 91.4cm (24 x 36in); Provenance: private collection

"Untitled: River Scene in Autumn", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in); professionally framed and matted at Brownstone Framing, Guelph; Thomas (Tom) Albert Stone, C

Titled "Winter Sun", signed lower right, dated 1985 verso, acrylic on board, sight 58.4cm (23in) square; Provenance: Nancy Poole's Studio, Toronto; Art Rental and Sales Gallery, Art Gallery of Onta

"Untitled: Northern Lake Scene", original oil on board, 22.9 x 29.8cm (9 x 11 3/4in); Provenance: private London collection, acquired by a direct descendant of the artist; Helen Sanderson Sewell, C

Titled verso "Woolwich 43", signed lower right and verso, oil on canvas board, 35.6 x 45.7cm (14 x 18in) - Roy Austin, Canadian, 1910-1997; born in England and moving to Canada at one year of age,

An original hand-coloured chromolithograph titled "White Headed Pigeon", Plate 280, No.

Titled "Capacity for Love", signed lower left and dated 2015, acrylic on canvas, 96.5 x 61cm (38 x 24in); note the canvas is on a wood stretcher but unframed; gallery label verso with ori

Titled "Alleyview Morning", signed lower left, also signed and dated (19)84 verso, oil on masonite, 30.5 x 50.8cm (12 x 20in); Provenance: this and the following lot are from the same Tor

Titled "October Snow, Wardell Street (Toronto)", signed lower right, also signed and dated (19)83 verso, oil on masonite, 30.5 x 50.8cm (12 x 20in); framed to match the preceding lot; Rob

"Untitled: Young Girl Reading to Her Grandmother", signed lower right and dated 1885, watercolour on paper, sight 68.6 x 49.5cm (27 x 19 1/2in); Provenance: Waddingtons, Toronto; present private co

Titled verso "In the Bay", signed lower right and verso, oil on board, 50.8 x 61cm (20 x 24in) - Edith Grace Lawson Coombs, Canadian, 1890-1986; born in Hamilton, Ontario, she eventually

Titled "Evening Bark Lake", signed lower right and dated (19)78, oil on masonite board, 30.5 x 40.6cm (12 x 16in); Provenance: Smith Galleries, Winnipeg; Richard (Dick) Ferrier, Canadian,

A large scale abstract figural bronze sculpture on marble plinth (one corner chipped), overall height 47cm (18 1/2in); weight 36 lbs; Augusto Ortega Escobedo, Mexican/American, 1914-1995

Titled "St.

Titled "Late February Afternoon, Martintown, Ontario", signed lower right, also signed and dated 1980 verso, oil on board, 35.6 x 60.3cm (14 x 23 3/4in) - Ross Huggins, Canadian, 1916-199

Titled "Autumn Woods", oil on board, 22.9 x 27.9cm (9 x 11in); Provenance: The Fine Art Galleries, T. Eaton Co.

Original woodcut in colours depicting two workers dyeing fabric, pencil signed and dated (19)73 to the lower margin, editioned 42/70, sight 40.6 x 29.2cm (16 x 11 1/2in); professionally framed by K

Titled "End of Autumn", pencil signed and dated (19)81 to the lower margin, woodcut in colours editioned 3/100, image size diameter 41.9cm (16 1/2in); professionally framed by Kato of Jap

Titled "First Snowfall", also known as "Catching Snowflakes, First Snowfall", pencil signed to the lower right margin, lithograph in colours circa 1974 editioned 53/300, sight 3

Titled "Klanklut Bay, Northeast of Juneau", signed lower right, also signed verso with inventory number 2860, oil on board, 40.6 x 50.8cm (16 x 20in); Provenance: acquired directly from t

Titled "Franklin's Last Winter Camp", artist signed to the lower right margin, silkscreen in colours editioned 16/35, sight 30.5 x 41.3cm (12 x 16 1/4in); Provenance: Kenneth G.

A large scale acrylic on canvas titled verso "Printemps a Paris", signed lower left, also signed and dated 2010 verso, 1.02 x 1.27m (40 x 50in); note the canvas is affixed to a wood stretcher but u

Titled "Old Boathouse", signed lower right and verso, oil on masonite, 27.9 x 35.6cm (11 x 14in); artist biography verso; Provenance: Doyle's Art Gallery, Seely's Bay, Ontario, original 1984 receip

"Untitled: Quebec Country Road After Snowfall", signed lower left and dated (19)86, oil on board, 30.5 x 40.6cm (12 x 16in); artist inventory number verso T-1443; Terry Tomalty, Canadian,

Titled "Nature Morte au Vase a Fleurs", signed lower right and dated (19)57, watercolour on paper, sight 30.5 x 48.3cm (12 x 19in); Provenance: Galerie D'Art Michel Bigue, Saint-Sauv

Stunning oil on canvas depicting the Rax mountain range in Austria, signed lower left, 61 x 91.4cm (24 x 36in); Provenance: Waddingtons, Toronto; present Ontario private collection; Alois Arnegger,

Titled "A Breezy Day at Littlehampton" and signed lower right, watercolour on paper, sight 17.8 x 48.3cm (7 x 19in) - Robert Malcolm Lloyd, English, 1859-1907; a 19th century marine paint

Titled "The Thames at Hammersmith", signed lower left, oil on board, 22.9 x 40.6cm (9 x 16in); old gallery label verso; John Brine, British, 1920-1997; a well-known 20th century painter w

Titled "Spring in Sargent Bay, Lake Memphremagog, Que.", signed lower left, also signed and dated 1977 verso, oil on masonite, 60.3 x 45.1cm (23 3/4 x 17 3/4in); Provenance: this and the

Titled "Spring at Joachim, Que.", signed lower right, also signed and dated 1976 verso, oil on masonite, 35.6 x 50.8cm (14 x 20in) - Bruce Le Dain, Canadian, 1928-2000

Titled "Oblivion 3", signed verso and dated 2005, mixed media with collage on board, 61 x 76.2cm (24 x 30in); Provenance: Canvas Gallery, Toronto, original price $900.00; present London c

Titled "Summer, Haliburton", signed lower right, oil on canvas board, 25.4 x 30.5cm (10 x 12in) - Langley Donges, Canadian, 1901-1992; a 20th century Toronto artist, Donges studied at the Ontario C

"Untitled: Abstract Study in Three Colours", signed lower left, oil on canvas, 30.5 x 38.1cm (12 x 15in) - Jan (Abraham) Le Witt, a Polish-born British abstract artist, graphic designer a

An important large size bronze sculpture after August Rodin's "Bust of the Bronze Age", measuring 53cm (20 7/8in) high, width approximately 54.6cm (21 1/2in); posthumous bronze cast number 5 from a

A lovely 19th century oil on canvas "Message to the Court", signed lower middle left and dated 1869, 73.7 x 61cm (29 x 24in); displayed in an exceptional period frame and believed to be original to

"Untitled: Abstract Study", signed lower left, oil on splitwood panel, 21 x 28.6cm (8 1/4 x 11 1/4in), mounted to a rustic 33 x 40.6cm (13 x 16in) frame; Provenance: private collection, C

"Untitled: Abstract Study", signed and dated (19)61 lower right, ink drawing on paper, sight 9.5 x 14cm (3 3/4 x 5 1/2in); Provenance: from the collection of John H.

Believed to be English circa mid-1700's depicting a man of nobility, possibly a portrait of James Francis Edward Stuart (1688-1766, nicknamed "The Old Pretender"), appears unsigned,

Titled "Nude Study", signed with initials lower right, coloured pencil on paper, sight 55.2 x 40cm (21 3/4 x 15 3/4in); Provenance: from the collection of Edward Fitzgerald, son of the artist; Blai

"Untitled: Figural Abstract in Homage of Jean-Michel Basquiat", large mixed media on canvas measuring 1.22m x 76.2cm (48 x 30in); note the canvas is affixed to a wood stretcher but unfram

Titled verso "On the Yssel (IJssel), Holland", signed "J.

"Untitled: At Coney Island, New York", no signature evident, oil on board, 43.8 x 64.1cm (17 1/4 x 25 1/4in); from the late 19th century to the first half of the 20th century, Coney Island's seasid

Titled verso "Bismark and the Rise of Germany (Modern Legend Series)", signed and dated (19)73 lower right, charcoal with gouache highlights on paper, sight 61 x 94cm (24 x 37in); profess

"Untitled: View of Venice from the Shoreline", signed "C.V.

Large abstract oil on canvas, signed/dated 1959 and inscribed "Boston" lower right, also signed/titled and dated verso, canvas dimensions 1.14 x 1.07m (45 x 42in); Provenance: this and the followin

"Untitled: Green Abstract", unsigned, a large scale oil on canvas circa 1960 measuring 86.4cm x 1.14m (34 x 45in); note the canvas is affixed to a wood stretcher but unframed; some paint

Titled "Morning Clouds", signed verso, oil on board, 40.6cm (16in) square; artist's studio label verso; Norman Richard Brown, Canadian, born 1958

Painted circa early 1800's in the school of Sir David Wilkie (Scottish, 1785-1843) depicting a tavern interior scene with British soldier attempting to recruit various men gathered around a table,

Titled verso "Forest Stream", signed upper left and dated (19)47, oil on masonite, 61 x 76.2cm (24 x 30in) - Clarence Ainslie Loomis, a 20th century Canadian artist, 1917-1994; his works seldom app

"Untitled: Beach Scene at Trouville, France", no signature evident, oil on panel, 20.3 x 40.6cm (8 x 16in) - an attractive work likely painted en plein air, and much in the style of Herman Van Den

Titled "Eventide, Vermilion Lakes, Banff, Alberta", signed lower left middle, also signed and dated 1980 verso, oil on masonite, 30.5 x 45.7cm (12 x 18in); Provenance: Walter Klinkhoff Ga

Titled verso "Cosmic Wind", signed lower right, oil on board, 99.7 x 80cm (39 1/4 x 31 1/2in); also included with this lot is a gallery brochure from Nierman's 1973/1974 exhibition a

Titled verso "Prisms", signed lower left, oil on board, 80 x 60.3cm (31 1/2 x 23 3/4in); Provenance: Merrill Chase Galleries, Chicago; from the same collection as the preceding lot; Leona

Titled "Old House, Winter - Price", signed lower right under frame, oil on masonite, 25.4 x 30.5cm (10 x 12in); Provenance: Libby's of Toronto; Elisabeth (Betty) Roberta Galbraith-Cornell, Canadian

Titled "Clouds Over Rousseau, Muskokas, Ont.", signed lower right and verso, oil on canvas, 61cm (24in) square; note the canvas is on a wood stretcher but unframed; Hugh Thompson, a conte

"Untitled: Man in a Dory", signed lower left, oil on canvas board, 17.8 x 22.9cm (7 x 9in) - William Edward Degarthe, Canadian, 1907-1983

Titled "Toronto Brick Yards", signed lower right and verso, oil on board, 20.3 x 25.4cm (8 x 10in) - John Joy, Canadian, 1925-2012

An original exhibition poster from the Art Gallery of Ontario "Hockney Paints the Stage, June 8 - August 12, 1984", sight 74.9 x 59.7cm (29 1/2 x 23 1/2in) - David Hockney, English, born

Titled "PC Convention, 1976", signed and dated lower left, watercolour on paper, image size approximately 22.9cm (9in) diameter - John H.

Titled "Windemere Sun", signed with monogram lower right and signed verso, dated 1999, oil on canvas, 15.2 x 20.3cm (6 x 8in) - Philip Sybal, Canadian, born 1949

"Untitled: Standing Figures", signed and dated (19)64 lower left, mixed media on paper, sight 20.3 x 15.9cm (8 x 6 1/4in) - Eve Apostoll, Canadian/American, 1931-1995, artist's biogr

"Untitled: Forest Interior Scene, Early Autumn", signed lower right, oil on panel circa 1930, 28 x 33cm (11 x 13in); professionally framed and matted; also included is "Gwen Lamont - Early Sketches

A translucent white stone carving of two bears, one encircling the other, made in three pieces, height 13.3cm (5 1/4in), width 8.9cm (3 1/2in), depth 10.8cm (4 1/4in), unsigned; Provenance: private

Titled verso "Pyramid Mountain, Jasper Park", signed lower right and verso, oil on panel, 25.4 x 30.5cm (10 x 12in) - Lorna Yates (Fletcher), 20th century Canadian

Titled "Winter in Grange Park (Toronto)", signed lower right and verso, dated 1930, oil on board, 50.8 x 40.6cm (20 x 16in) - Gilbert Turnbull Sclater, born in Edinburgh, Scotland, 1908, he came to

Titled "4 Waves", signed verso, large scale acrylic on canvas measuring 1.22m x 91.4cm (48 x 36in); original gallery price verso of $1400.00; Ross Bishop, a contemporary London abstract a

Titled "Beech Tree, York Mills" and pencil signed to the lower margin, aquatint in colours, sight 30.5 x 38.1cm (12 x 15in) - Frederick Stanley Haines, Canadian, 1879-1960

Both oils on board depicting quaint village scenes in lovely pink and blue hues with winding roads, figures and buildings, signed lower right, each 20.3 x 25.4cm (8 x 10in) - Ross Reverdy Osgood, C

"Untitled: Still Life", signed lower left, oil on canvas, 45.7 x 30.5cm (18 x 12in); Provenance: private collection, Chatham; Alexander M. Fleming, Canadian, 1878-1929

An original genre oil on canvas board circa late 19th/early 20th century titled "An Interesting Conversation" depicting two men of means sitting at the fireplace in an interior setting, signed lowe

"Untitled: A Large Ocean Liner Heading Out to Sea", signed lower left, gouache on paper, sight 25.4 x 39.4cm (10 x 15 1/2in) - Frank Henry Mason, an English artist best known for his mari

A beautifully painted 19th century oil on wood panel depicting a young woman sitting at the window preparing dinner and another figure in the background, signed lower left, sight 35.6 x 30.5cm (14

"Untitled: The Old Stone Walls of Tangiers", signed lower right, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in) - James Greig, Scottish, 1861-1941

"Untitled: Portrait of a Man and Woman", signed lower left, oil on canvas, 76.2 x 61cm (30 x 24in); Provenance: from a prominent north London estate, together with the following four lots; included

"Untitled: Man and Two Horses", signed lower left, oil on canvas, 50.8 x 61cm (20 x 24in); Provenance: from the same estate collection as the preceding lot; Menelaos Katafigiotis, Greek,

"Untitled: Portrait of a Man in Blue", signed lower left, oil on canvas, 61 x 50.8cm (24 x 20in); Provenance: from the same estate collection as the preceding two lots; Menelaos Katafigio

"Untitled: Man on Unicycle and Woman in Background", signed lower right, oil on canvas, 61 x 50.8cm (24 x 20in); Provenance: from the same estate collection as the preceding three lots; M

"Untitled: Portrait of a Man in Blue", signed lower left, oil on canvas, 61 x 50.8cm (24 x 20in); Provenance: from the same estate collection as the preceding four lots; Menelaos Katafigi

A fine pair of antique hand-painted Dutch tiles, one depicting a boy sitting on chair playing the flute, other of a young girl in landscape, housed in matching 27.9cm (11in) frames

Titled verso "Banner Bridge", signed lower right, oil on board, sight 4 x 6in; frame outside dimensions 33 x 40.6cm (13 x 16in) - John Joseph Bellman, British, born 1949

A very handsome and well executed pair of 18th century Irish Georgian portraits circa 1790, both painted in pastels on toned black/grey wove paper laid down on canvas, set within their original 18t

A hand-coloured print after Paul Klee (Swiss, 1879-1940), editioned 219/250, sight 48.9 x 38.7cm (19 1/4 x 15 1/4in); Provenance: Bonhams, Banbury Road, Oxford, UK, March, 2011; presently from a ph

"Untitled: Three Horses in a Rural Landscape", signed lower left, oil on board, sight 19.7 x 30.5cm (7 3/4 x 12in); housed in an exquisite antique frame; Charles W.

Titled "Wolf", pencil signed to the lower margin, etching/aquatint in colors editioned 113/150, dated (19)73, sight 44.5 x 59.1cm (17 1/2 x 23 1/4in); Provenance: Waddingtons, Toronto; pr

Titled "Old Mill", watercolour on paper, sight 36.8 x 25.4cm (14 1/2 x 10in); Provenance: verso is a signed letter by Ann Watt, granddaughter of the artist, authenticating this watercolou

"Untitled: Coastal View with Three Figures and Boat", signed lower right, watercolour on paper, sight 25.4 x 36.8cm (10 x 14 1/2in); Provenance: from the same collection as the preceding

"Untitled: Autumn Landscape", signed lower left, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in); Provenance: from the same collection as the preceding two lots; William St.

Titled "Anticosti Island Fishing Huts (Quebec)", watercolour on board, 25.4 x 38.1cm (10 x 15in); Provenance: from the same collection as the preceding three lots; verso is a Certificate

An art deco period oil on canvas circa 1920's depicting the side profile of a woman in white gown with flowers, inscribed to the lower section "Les Jours Reparateurs Sont La", signed lower right, 8

Limited edition lithograph in colours numbered 69/100, pencil signed lower right, sheet size 66 x 50.2cm (26 x 19 3/4in); Provenance: purchased at Artcurial, Paris, France, 2011; present private co

Artist proof lithograph in colours "Composition En Couleurs" circa 1970, pencil signed lower right, sheet size 68.6 x 53.3cm (27 x 21in); Provenance: Artcurial, Paris, France, purchased i

Titled "Bedouin Girl", signed lower left and dated 1928, oil on canvas, 61 x 48.9cm (24 x 19 1/4in), displayed in a quality period frame - Edward Randolph Glen, Canadian, 1887-1963; Note:

"Untitled: Three Faces and Two Black Birds", signed lower left, watercolour on paper, sight 54.6 x 36.8cm (21 1/2 x 14 1/2in) - Johanna Eleonore "Hanni" Rothschild, Canadian/Ger

Titled "Blantyre Fairy", signed lower right and dated (19)66, also inscribed "Queen St.", ink and oilwash on paper, sight 40.6 x 33cm (16 x 13in); Provenance: Sobot Gallery, Tor

Pair of signed watercolours on paper, both depicting English village scenes with thatched roof houses and figures, sight for each 13.3 x 17.8cm (5 1/4 x 7in) - Edward William Trick, English, 1902-1

Titled "Red Elevation", signed lower left, gouache on artist board, 33cm (13in) square; Provenance: Roberts Gallery, Toronto; Art Rental Service of the Art Gallery of Ontario, dated 1970

Titled "The Milk Maid", signed lower right, oil on panel, 35.6 x 26.7cm (14 x 10 1/2in); displayed in a stunning antique gilt frame, outside dimensions 53.3 x 45.7cm (21 x 18in); Provenan

Titled "Site", pencil signed and dated (19)77 to the lower margin, serigraph in colours editioned 12/60, image size 45.1 x 61cm (17 3/4 x 24in); professionally framed and matted, frame ou

"Untitled: Coastal Village Scene with Figures and Buildings", signed lower left, watercolour on paper, sight 23.5 x 34.9cm (9 1/4 x 13 3/4in); Provenance: from a private London collection

"Untitled: River Landscape in Autumn", signed lower right, oil on Reeves canvas board, 30.5 x 40.6cm (12 x 16in) - Betty Roodish Goodwin, Canadian, 1923-2008; born in Montreal, Goodwin pa

Titled "Tower Bridge" and signed lower right, watercolour on paper, sight 10.8 x 14.6cm (4 1/4 x 5 3/4in); note this and the following lot are from the same private Ontario collection, an

Titled "Off Greenwich" and signed lower right, watercolour on paper, sight 10.8 x 14.6cm (4 1/4 x 5 3/4in); Frederick Edward Joseph Goff, English, 1855-1931

Titled "Forum", signed and dated (19)71 lower right, collage with acrylic on canvas, 25.4 x 37.5cm (10 x 14 3/4in); Provenance: Roberts Gallery, Toronto; Art Rental Service of the Art Gal

"Untitled: Harbor Scene (probably Malta)", signed lower left and to center of frame, oil on panel, 22.9 x 46.4cm (9 x 18 1/4in) - Alfred Montague, R.A., British, 1832-1883; the artist was elected t

"Untitled: Seated Figure with a Cabaret Playbill", signed lower right, pen and ink drawing on glossy paper, sight 27 x 29.8cm (10 5/8 x 11 3/4in); Provenance: Waddingtons, Toronto; presen

"Untitled: Winter Landscape with Birch Trees", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in) - Josh Jack Silburt, Canadian, 1914-1991; born in Plum Coulee, Manitoba and studi

Titled verso "On Black Down, Lydford Dartmoor, Devon", signed lower left, watercolour on paper, sight 22.9 x 44.5cm (9 x 17 1/2in) - Thomas Rowden, English, 1842-1926, this is a fine exam

Titled "Low Tide, Victoria B.C.", signed lower right and dated (19)29, pastel on paper laid down to board, sight 29.8 x 40.6cm (11 3/4 x 16in); Exhibited: Royal Canadian Academy of Arts,

"Untitled: Coastal Scene with Mother and Her Two Children, Thatched Roof House and Sailboats in the Distance", signed lower right, oil on canvas, 61 x 81.3cm (24 x 32in) - Cornelius Woute

Titled "The Red Barn, Winter", signed in the plate lower left, serigraph in colours, sight 21 x 25.4cm (8 1/4 x 10in) - Manly Edward MacDonald, Canadian, 1889-1971

"Untitled: Interior of A Tavern", signed and dated (18)85 lower right, oil on canvas, 30.5 x 38.1cm (12 x 15in) - Anders Montan, Swedish/German, 1845-1917

Titled "Sawyer-Stoll Mill, Massanoga", signed and dated verso, oil on artist board, 38.1 x 45.7cm (15 x 18in); Provenance: from the collection of Mr.

"Untitled: Harbour Scene at Sunset", signed lower right, oil on canvas, 30.5 x 45.7cm (12 x 18in); housed in a quality antique frame, frame outside dimensions 50.8 x 66.7cm (20 x 26 1/4in

Titled "Umber and Charcoal (Near Hwy.

Titled "The Dolls", signed and dated (19)82 lower right, signed, titled and dated to gallery label verso, acrylic and oil on canvas 40.6 x 30.5cm (16 x 12in); Provenance: Madison Gallery,

"Untitled: Summertime Fish Pond", signed lower left and with engraved nameplate to frame, oil on canvas circa late 19th/early 20th century, 50.8 x 76.2cm (20 x 30in); housed in a quality

Titled "Brown Still Life", lithograph print on paper, sheet size 22.9 x 19.3cm (9 x 7 5/8in); Reference: Mourlot, Chagall Lithograph, Catalogue Number 205, this print was created by the a

Titled "Approaching Change", signed verso and dated (20)16, acrylic on canvas, 1.12 x 1.42m (44 x 56in); Provenance: Galerie D'Arts Contemporains, Montreal (original price $2500.00); Val Sloggett,

Titled verso "Mist Mirage (Algoma)", signed lower right, also signed and dated Jan/(19)67 verso, oil on board, 76.2 x 102cm (30 x 40in); Exhibited: Art Gallery of Hamilton, partial label verso; Pro

"Untitled: Young Girl Playing with a Toy Sailboat in the Water", signed lower right, oil on panel, 25.4 x 21.6cm (10 x 8 1/2in); housed in a quality antique frame; Provenance: J.A.

A large white marble sculpture on stone base, signed, overall height 22.9cm (9in) - Elford Bradley Cox, Canadian, 1914-2003

"Untitled: A Recumbent Young Woman in Hammock", signed lower right and dated 1890, oil on canvas, 30.5 x 45.7cm (12 x 18in); displayed in a quality antique frame, frame outside dimensions 54 x 69.2

"Untitled: Rural River Scene in Late Autumn", signed lower left, oil on canvas, 25.4 x 36.2cm (10 x 14 1/4in); housed in an exquisite antique gilt frame; William Merritt Post, American, 1

An unidentified stone sculpture in the form of a mother and child, signed with syllabics and numbered on base, 22.9 x 16.5 x 8.9cm (9 x 6 1/2 x 3 1/2in); Provenance: from an Ontario collection, the

"Untitled: Landscape Scene with Farm Girl and Ox", signed lower right, watercolour on paper, sight 24.1 x 34.3cm (9 1/2 x 13 1/2in); displayed in a stunning antique gilt frame measuring 48.3 x 57.8

19th century oil on panel depicting a sitting cardinal in his tea room with pet parrott, signed lower right and with engraved nameplate to frame, 31.8 x 24.1cm (12 1/2 x 9 1/2in); housed in an anti

"Untitled: Sailboat on the Moonlit Sea", signed lower right and with engraved nameplate to frame, oil on canvas, 50.8 x 40.6cm (20 x 16in); housed in an antique gilt frame, outside dimens

Titled "White Rhino", signed and dated (19)85 lower right, linocut artist's proof print in colours, sheet size 1.02m x 71.8cm (40 x 28 1/4in); Provenance: from a private Ontario coll

Titled "The Little Red Sleigh, A Scene at Dominion Square, Montreal, P.Q.", signed lower right, watercolour on paper, sheet size 10.2 x 12.7cm (4 x 5in) - Willard Morse Mitchell, Canadian

A large scale oil on board depicting a common goldeneye duck floating in pond, signed and dated lower left, 71.1cm x 1.07m (28 x 42in); Provenance: from a private London collection, acquired direct

Titled verso "Canadian Rockies", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in); Provenance: from the estate of Annie Laurie Chappell, Portland, Oregon; present private Windso

Titled verso "Door to the Chapel", signed lower left, oil on masonite, 40.6 x 30.5cm (16 x 12in) - Frances-Anne Johnson, Canadian, 1910-1987; daughter of prominent artist and Group of Sev

"Untitled: Landscape View, Early Autumn", signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in) - George H. Wolfe, Canadian, 1882-1965

Titled "Cosway Cruise", a large scale mixed media abstract oil on canvas including oil, iron powder and wood installations, the canvas measures 1.38 x 1.4m (54 1/2 x 55 1/4in); displayed in a custo

Titled verso "St.

Titled "Owls", pencil signed to the lower margin and dated 1967, stencil engraving on paper editioned 22/50, image size 14.6 x 19.7cm (5 3/4 x 7 3/4in); frame outer dimensions 37.5 x 39.4cm (14 3/4

Two titled verso including "An Entrance to the Log Chateau of the Seignioriy Club at Montebello, P.Q., Situated in the Laurentian Mountains" and "Typical Laurentian Mountain Ski Terrain, A Scene Ne

Titled "Evening, Fenit, County Kerry, Ireland", signed lower right, oil on canvas, 61 x 45.7cm (24 x 18in); note the canvas is on a wood stretcher but unframed; Hugh Thompson, a contempor

Titled "Forest Rhythm #24", signed and dated (19)89 lower right, mixed media on paper, sheet size 14 x 76.2cm (5 1/2 x 30in); professionally framed and matted; Provenance: Strand Fine Art

Circa 18th/19th century depicting a room interior scene with mother and her two children, appears unsigned, oil on panel, 29.2 z 35.6cm (11 1/2 x 14in); unframed, condition report available

"Untitled: View Along the Seine River, Paris", signed lower left, oil on canvas, 33 x 55.4cm (13 x 21.8in); Provenance: Waddingtons, Toronto; present Ontario Collection; Claude Marin, Fre

An impressive oil on canvas depicting a busy market scene in Belgium, signed lower left, 76.2 x 63.5cm (30 x 25in); Provenance: Waddingtons, Toronto; present Ontario collection; Marinus Adrianus Ko

Acrylic on masonite board depicting a blue, pink and orange rabbit holding a drum and baton, signed lower left, 71.1 x 45.7cm (28 x 18in); Provenance: acquired from Tane Art Gallery, Toronto, who e

"Untitled: Portrait of an Elderly Man with Pipe in Napoli", signed lower right, oil on board, 38.1 x 28.6cm (15 x 11 1/4in) - Enrico de Luise, Italian, 1840-1915

Titled "Kelly and the Wave", pencil signed and dated (19)77 to the lower margin, hand printed silkscreen in colours editioned 100/100, embossed seal EC (Editions Canada) lower right, image size 58.

Titled "Gleam on the Hills, Edelweiss Valley, Quebec", signed lower right, dated 1988 verso, oil on masonite, 45.7 x 61cm (18 x 24in); Provenance: private collection, London; Bruce Heggtv

"Toros y Toreros" 1964 art print in colours, editioned 34/300, sight 41.3 x 30.5cm (16 1/4 x 12in) - Pablo Picasso, Spanish, 1881-1973

"Untitled: Standing Female Nude", signed lower left, oil on canvas, 67.3 x 47.6cm (26 1/2 x 18 3/4in) - Charles Kvapil, Belgian, 1884-1958; primarily known as a figure painter, Kvapil als

Titled "Structure Cristalline", pencil signed to the lower right margin, lithograph in colours editioned 106/200, produced in 1972, sight 71.8cm (28 1/4in) square - Jean-Pierre Vasarely,

"Untitled: Nude Composition", signed lower right, acrylic on canvas, 81.3 x 61cm (32 x 24in) - Geoffrey David Armstrong, Canadian, 1928-2018, perhaps best known as a landscape and abstrac